Alienation in the AEROTROPOLIS – an independent film from Taiwan

Although it is a work of fiction, the Taiwanese film AEROTROPOLIS, about a young man who sinks all his money into a luxury condo on land allocated for an aerotropolis around Taoyuan Airport, is all too feasible. The government driven megaproject stalled and the real estate bubble burst. Unable to flip the property for a quick profit he loses his moorings in life and wanders around the desolate urban landscape. His loneliness and loss of meaning are only superficially eased by fleeting visits from his flight-attendant girlfriend and the films follows his descent into a downward spiral of mental breakdown.

The film was written and directed by Jheng-Neng Li. Interviewed by We Are Moving Stories, which celebrates new voices in the film industry, he explains how the Taoyuan aerotropolis project “fiasco” has disrupted the lives of thousands of ordinary people, with agricultural land destroyed, families displaced and escalating land and property prices. AEROTROPOLIS is Jheng-Neng Li’s debut feature film, a true low-budget venture, shot over just 11 days with a “no-budget” of just $7000. In this evocative teaser clip the protagonist is static in an alienating urban landscape as planes fly overhead.

AEROTROPOLIS was showcased at the 2017 Slamdance Film Festival which focuses on new artists and low-budget, independent films and has garnered some enthusiastic reviews. Writing for ScreenAnarchy Christopher Bourne describes the film as ‘an elegantly made portrait of (sub)urban alienation. In Slug Magazine Kathy Zhou is full of praise for ‘a bleak and powerful meditation on the emptiness of contemporary life’. The film is being screened at various film festivals so hopefully will, over time, reach a substantial audience worldwide. There are some reviews and interesting promotion materials on the AEROTROPOLIS film Facebook page.

Challenging tourism growth: the role of aviation and impacts on biodiversity

Tourism was on the agenda at the 13th Meeting of the Conference of Parties (COP13) to the Convention on Biological Diversity (CBD), held in Cancun, Mexico in December 2016. The draft Cancun Declaration recognizes that tourism, a major sector in the global economy, is dependent upon biodiverse ecosystems. A Third World Network (TWN) briefing paper, ‘Tourism at the tipping point: Governance for future generations’, prepared by Alison M. Johnston, Director of the International Support Centre for Sustainable Tourism, Canada, urges a precautionary approach to tourism growth, challenging the institutionalization of the industry as a ‘pre-approved enterprise’ which facilitates its expansion into remote areas, often damaging rather than conserving ecosystems and biodiversity. The paper highlights the role of aviation, the tourism industry’s dependence upon the petroleum industry, the impacts on indigenous peoples and considerations for future generations.

The paper was presented and discussed at a COP side-event entitled ‘Tourism and Biodiversity: Benefits and Hazards’ that was co-organized by the TWN, the Global Forest Coalition, the International Support Centre for Sustainable Tourism (ISCST) and the Tourism Investigation & Monitoring Team (tim-team). This input to the UN biodiversity conference, and other critical perspective on tourism, are particularly important in view of the United Nations designation of 2017 as the International Year of Sustainable Tourism for Development, aiming to support ‘a change in policies, business practices and consumer behavior towards a more sustainable tourism sector’.